Poetry and the Environment: Public Reading and Panel

Join four great contemporary poets as they read from their poetry and discuss its response to the environment and the environmental crisis.

Thu, 25 May 2023 16:30 – 19:30 BST

Old Council Chamber

Wills Memorial Building Tower

Queens Road Bristol BS8 1RJ

Book here

Schedule

4.30-5.15pm Poet’s panel : Hugh Dunkerley, Carrie Etter and Yvonne Reddick

5.15-5.30 Alycia Pirmohamed (online reading)

5.30 Drinks Break

6pm -7 Live Reading by Hugh Dunkerley, Carrie Etter and Yvonne Reddick

Earlier in the afternoon there will be academic papers on ‘Climate Crisis, Lyric Crisis?: Contemporary Poetry and the Environment’. If you would like to attend the papers or indeed give a paper yourself, please email m.malay@bristol.ac.uk or William.Wootten@bristol.ac.uk

Poets

Hugh Dunkerley’s poetry collections include Hare (Cinnamon Press, 2010) and Kin (2019). He also writes on literature and environment as well as being a short story writer. Hugh’s award winning lecture, ‘Some Thoughts on Poetry and Fracking’, was delivered at the 2016 Hay International Festival. He is Professor of Literature and Environment at the University of Chichester.

Carrie Etter’s poetry collections include The Tethers (Seren, 2009), Divining for Starters (Shearsman, 2012), Imagined Sons (Seren, 2014) and The Weather in Normal (Seren, 2018). She is also an essayist, short story writer and reviewer, and the editor of Infinite Difference: Other Poetries by UK Women Poets (Shearman, 2010) and Linda Lamus’s posthumous A Crater the Size of Calcutta (2015). An U.S. born poet resident in England, Carrie is recipient of the 2009 London New Poetry Award and was shortlisted for the 2015 Ted Hughes Award for New Work in Poetry. She lectures in Creative Writing at the University of Bristol.

Alycia Pirmohamed is the author of the collection Another Way to Split Water (Polygon, 2022), as well as the pamphlets Hinge (Ignition Press, 2020) and Faces that Fled the Wind (BOAAT Press, 2018) and the collaborative essay Second Memory, co-authored with Pratyusha. A Canadian-born poet based in Scotland, Alycia is the recipient of several awards, including the 2019 CBC Poetry Prize and the 2020 Edwin Morgan Poetry Award and teaches on the MSt. Creative Writing at the University of Cambridge.

Yvonne Reddick is the author of the collection Burning Season (Cinnamon Press, 2023) and the pamphlet Translating Mountains (Seren, 2017), which won the Mslexia Magazine Pamphlet Competition as well as the critical book Ted Hughes: Environmentalist and Ecopoet (Palgrave Macmillan, 2017). She is the recipient of a Leadership Fellowship from AHRC, and has received a Northern Writer’s Award, a Hawthornden Fellowship and a place on the 2017-18 Jerwood/Arvon mentoring scheme. She is a Research Fellow at the University of Central Lancashire.

This event is organised by the Bristol Poetry Institute together with the Centre for Environmental Humanities.

Call for Proposals: Climate Crisis, Lyric Crisis?

Climate Crisis, Lyric Crisis?:

Contemporary Poetry and the Environment

 

‘Un-/

natural says the news. Also the body says it.’ Jorie Graham

 

‘I place my feet/

with care in such a world.’ William E. Stafford

 

‘Task: to be where I am.’ Tomas Tranströmer

 

What is the role of poetry in times of loss and unravelling? How do poets respond to environmental distress – and register the unnaturalness of the current weather – even as they continue to bear careful witness to their local landscapes and places? If ignorance about what is lost ‘undermines the reality of the world’, as Zbigniew Herbert put it, then how might poets affirm reality without also affirming negation?

We invite proposals that explore these and related questions. Any approach is welcome, although we are especially interested in presentations that offer close readings of contemporary poets. Papers can be anywhere between 15-20 minutes long, and we particularly welcome submissions from postgraduate students.

Further details:

This symposium will take place at the University of Bristol, from 1.30-7.30 on the 25th of May. The day will consist of academic papers, a poet’s panel featuring Hugh Dunkerley, Carrie Etter and Yvonne Reddick, and conclude with in person readings by Hugh Dunkerley and Yvonne Reddick and an online reading by Alycia Pirmohamed.

If you’d like to present a paper, please submit abstracts to William Wootten and Michael Malay at the following addresses: william.wootten@bristol.ac.uk & m.malay@bristol.ac.uk

April Events with the Bristol Poetry Institute

The Bristol Poetry Institute is involved with a number of events coming up this month. We hope you can join us. All are very welcome!
  • Price: Free
    Time: 18:00 – 19:00
    Join Samantha Walton, Jason Baskin and Cliff Williamson in this panel discussion, chaired by Madhu Krishnan, as they discuss poems of past and present and consider what it really means to ‘write the city’. This event will be BSL interpreted and live captioned. Presented in partnership with Bristol Ideas and Lyra Bristol Poetry Festival.
  • Annual Reading with Denise Riley (21 April)
    Price: Free
    Time: 18:00 – 19:00
    The Bristol Poetry Institute, with the support of the Department of English and School of Modern Languages, are very pleased to present British poet and philosopher Denise Riley as this year’s annual reader. The event will last one hour and comprise of a poetry reading and a question and answer session. A 20-minute book signing with the poet will follow the reading.
  • Watch Words: The Furnivals and Text (as) Art in the Long Sixties (22 April) 
    Price: £5 – £10
    Time: 10:00 – 18:00
    Taking John and Astrid Furnivals’ work as a point of inspiration, this conference will explore the intersection of text and art during the long sixties, considering connections to a range of contemporary cultural, political, economic, and technological concerns.
  • Multilingual Poetry Reading (23 April)
    Price: FreeTime: 15:45 – 16:45
    A special poetry reading featuring multilingual poets in Bristol. English text versions will be projected in the background. The showcase will be headlined by DL Williams, performing work from their collection Interdimensional Traveller, exploring British Sign Language and English. The event will be BSL interpreted. Presented in partnership with Lyra Bristol Poetry Festival.
  • Catalan Poetry Showcase (27 April)
    Price: Free
    Time: 18:00 – 19:00

    The Bristol Poetry Institute, in collaboration with the Institut Ramon Llull and the Department of Hispanic, Portuguese, and Latin American Studies, are pleased to invite you to a showcase of recent Catalan poetry. This one-hour event will feature bilingual readings with English translations of four Catalan poets, with the special collaboration of Dominic Jaeckle, writer and editor of Tenement Press.

Panel Discussion: Spoken Word in the UK

The Bristol Poetry Institute would be delighted if you could join us for a panel discussion of Spoken Word in the UK.

Tue, 23 November 2021 | 19:30 – 20:45 GMT

Free and open to all, booking required

Book and attend via Zoom

Spoken Word in the UK, edited by Dr Lucy English and Dr Jack McGowan,  is a comprehensive and in-depth introduction to spoken word performance in the UK – its origins and development. Drawing together a wide range of scholars, critics and practitioners each chapter gives a new perspective on performance poetics. This is a crucial and ground-breaking book for those studying or teaching performance or poetry and opens up the discussion about widening participation in UK poetry.

In this event three of the authors will discuss their chapters and what the publication of this book means for contemporary poetry: Peter Bearder, Helen Johnson and Jacob Sam-La Rose. The event will be chaired by one of the book’s editors,  Dr Lucy English Professor of Creative Enterprise and The Spoken Word from Bath Spa University.

Pete Bearder is a spoken word poet, comic and musician whose work has been featured on BBC radio 4, The World Service and Newsnight. He is the former National Poetry Slam Champion and has performed around the world with organisations such as the British Council. His groundbreaking book, ‘Stage Invasion: Poetry and the Spoken Word Renaissance’ explored the history and practice of spoken word. ‘This is the book we have all been waiting for as we live through an unprecedented growth in the popularity and vitality of the poetry that revitalises the air we breathe.’ Ian McMillan.

© Pete Jones pete@pjproductions.co.ukHelen Johnson is a principal psychology lecturer at the University of Brighton and Co-Director for the University’s “Centre for Arts and Wellbeing.” She has been composing poetry since before she could hold a pen, and writing/performing spoken word since her twenties.  A social scientist by (academic) training, she began researching poets and poetry during her Masters.  Her PhD research focused on poetry slam communities in the U.S. and U.K.  Towards the end of her doctorate, she took over the management and curation of the Poetry&Words stage at Glastonbury Festival of Contemporary Performing Arts, which she continues to manage to this day. Helen is a leading voice in spoken word/poetry slam scholarship and an expert in arts-based and creative research methods. She is particularly interested in the intersections between arts-based research, participatory research and social justice, and has developed the collaborative poetics method framed by these concerns.

by Amaal SaidJacob Sam-La Rose is a poet, educator and editor, deeply invested in supporting emerging poets and writers. He’s been responsible for Barbican Young Poets, the Spoken Word Education programme and Shake the Dust (youth slam and poetry-in-education CPD). His work has been translated into Portuguese, Latvian, French and Dutch, and his collection ‘Breaking Silence’ is studied at A’ level.