Author: rebecca.kosick

The Bristol Poetry Institute looks forward to hosting poet Xavier Mas Craviotto for a launch of his new book La gran nàusea. Join us for a reading and conversation with the poet facilitated by James Hawkey and introduced by Joanna Crow.

Free and open to all, booking required

La gran nàusea is a book of poems that delves into a process of exhaustion and weariness. An erosion that consumes the bonds between consciousness and reality, and inevitably leads not only to a feeling of tedium, but also to a hyperconsciousness of unreality and an invasion of strangeness. Taking as its starting point the symbol of the nausea that can be found in Jean-Paul Sartre’s famous novel and also in some of Nietzsche’s works, together with other authors like Lars Svendsen, Peter Handke, Byung-Chul Han or filmmakers like Ingmar Bergman, the poems of this book rummage in the apathy raised in a world of demolished senses and wasted meanings, in the deep malaise that we have inside when we feel close the presence of an invasive, compact and solid void. La gran nàusea is a book about the (capital-V) Void. A Void that, like from the nausea to the vomit, starts being an inner and intangible discomfort and ends up being an outer and material reality; a deified Void that we liturgically venerate; a Void that goes from the individual to the community; a Void that in the beginning of the book pulls down a house and at the end of the book devours a whole city.

La gran nàusea is divided in three parts —repleció, antiperistalsi and èmesi—whose titles correspond to the three phases of vomit. In these poems, the reader will embark on a poetic journey with an I and a You that struggle to understand not only each other but also a world that fades away right before their eyes. A world in which anything makes sense because words have been worn away and have lost their capability of evoking and attributing meanings and identities.

 

Xavier Mas Craviotto (Navàs, Catalonia, 1996) is currently the Catalan lector at the University of Bristol. He studied Catalan Philology in Universitat de Barcelona and a postgraduate degree in Language Consultancy and Publishing Services at the same university. He also collaborated for two years with The Research Centre for Sociolinguistics and Communication (CUSC-UB). He is one of the founders of Com ho diria, an online platform focused on the use of slang amongst young Catalan speakers. When he was 17, he was finalist in the Jordi Sierra i Fabra Literary Award in Spain and Latin America, and from then on he has won around twenty literary awards of narrative and poetry. He has published the novel La mort lenta (‘The slow death’, 2019), with which he won the Documenta Award 2018, and the book of poems Renills de cavall negre (‘Black horses’ neighs’, 2019), awarded with Certamen Art Jove Salvador Iborra Prize. He has participated in several poetry readings and in some collective books of short stories along with other Catalan authors.

Joanna Crow is Associate Professor in Latin American Studies. She has worked at the University of Bristol since 2006 and is currently Head of Subject for the Department of Hispanic, Portuguese and Latin American Studies. Her research focuses on Latin American cultural and intellectual history. She is particularly interested in histories of race, racism, and anti-racism. Her forthcoming book with Palgrave Macmillan is a study of transnational networks and debates about indigenous rights in early twentieth century Chile and Peru.

James Hawkey is Catalan Studies Coordinator at the University of Bristol. His research is focused on Catalan Linguistics and Cultural Studies. He has worked at the University of Bristol since 2014, prior to which he held positions at the Sorbonne University in Paris, as well as the Centre for Catalan Studies at Queen Mary, University of London.

 

 

In May, the BPI  returns with another series of short Zoom readings. Take a poetry break with us Tuesday evenings and enjoy an opportunity to hear Andrés Anwandter, giovanni singleton, and Samantha Walton share their recent work.

6pm BST Tues May 11            Andrés Anwandter

6pm BST Tues May 18            giovanni singleton

6pm BST Tues May 25            Samantha Walton

Register in advance for these events via Zoom. Free and open to all.

Our Readers

Andrés Anwandter was born in Valdivia (Chile) in 1974 and is currently based in Bristol (UK). He is a poet and researcher who has published ten volumes of poetry, among them: Especies intencionales (2001 − Premio Municipal de Poesía), Square Poems (2002 − published by Writers Forum, London), Banda sonora (2006 − Premio de la Crítica) and Materia gris (2019 − Premio Mejores Obras Literarias). Selections of his poetry have appeared in numerous literary magazines in Chile, USA, and UK, and have also been included in major anthologies of recent Chilean poetry. He is one half of the sound poetry duo “Motor Nightingale”, along with poet Martin Bakero. As a translator, he has published in Spanish work by Tom Raworth, H.C. Artmann, Rebecca Solnit and David Antin. In 2014, he was awarded the Premio Pablo Neruda for young poets, acknowledging his literary trajectory and contribution to Chilean poetry. His last book of poems Pasados en limpio has just been released in Chile.       

giovanni singleton is the author of Ascension, informed by the life and work of Alice Coltrane, which won the California Book Award Gold Medal and AMERICAN LETTERS: works on paper, a collection of visual art and poetry. Her writing has been widely anthologized as well as exhibited in the Smithsonian Institute’s American Jazz Museum, San Francisco’s first Visual Poetry and Performance Festival, and on the building of Yerba Buena Center for the Arts. In 2018, she received the African American Literature and Culture Society’s Stephen E. Henderson Award for Outstanding Achievement in Poetry. She is founding editor of nocturnes (re)view of the literary arts, a journal dedicated to experimental work of the African Diaspora and other contested spaces. For ten years she coordinated the Lunch Poems reading series at the University of California, Berkeley where she also served as the Holloway Lecturer in Poetry and Poetics. singleton was recently awarded an inaugural 2020 c3:Initiative letterpress residency and her dreamography is forthcoming from Noemi Press.

Samantha Walton is a poet and writer based in Bristol. She’s interested in how lyric poetry might be transformed to meet the conditions of ecological and social crisis, a theme explored in her first collection, Self Heal (Boiler House Press, 2018). Her recent pamphlet, Bad Moon (Spam, 2020) is an experiment in ecological gothic, and part of a longer sequence of loosely narrative poems looking at apocalypse and environmental disaster through the lens of popular fiction. Her poetry and fiction has been published in Ambit, Bath Magg, Chicago Review, Granta, Gutter, and Poetry Review, among other places. She teaches literature at Bath Spa University, co-edits Sad Press, and will publish her first non-fiction book, Everybody Needs Beauty: In Search of the Nature Cure, in July 2021.